Chapter 6Preparing fabrics to dye

Having read through the chapter. I decided to make a resist to paint over a piece of cotton, so I mixed flour and water to create a simple paste and painted it quite thickly onto the fabric. I tried to take a picture of the process, not a particularly easy task!

Once this has dried completely I will scrunch it thoroughly in the hope it will look like elephant skin once dyed. We'll see

Next I stitched two pieces of fabric to create  Tritik Shibori pieces, one with straight running stitches and the other with zig zagged stitching. it will be interesting to see the results once the pieces are gathered up and the dye applied.

 

Next simple Arashi Shibori tied and ready for the dyes to be dripped on

 

various methods of tie dye

 

Nowhere locally stocks procion dyes so I am waiting for my mail order to arrive, then I can start dyeing. While looking at dyes on the internet I came across a textile artist called India Flint and was interested in her approach to dyes and dyeing. I don't think it would work for this project as we  have to focus on black and white, but I fancy having a go at her Eco dyeing. I have struggled in the past using commercial dyes as I often have bad allergic reactions to chemicals so her approach to dyeing could be a way for me to try gentler colouring methods.

 

 

India Flint with a large piece of eco dyed fabric.

 

detail from a piece by India Flint called Seven Sisters.

 

 

Chapter 5 module 2 patterned papers

sIn this chapter we are asked to produce a series of printed papers based on our research and animal sketches from the previous chapters.

I produced a mixed batch of papers using mono printing and printing on white and black paper, I haven't been able to get hold of any black tissue paper but once I get some I will have a go at using bleach to create patterns.

Mono printing using pieces of tomato puree tube with pencil etchings to create animal patterns

printing using bubble wrap, tomato puree etchings, dry sponge dipped in paint and corks

 

 

 

More printing

 

I really enjoyed this exercise once I got going and have achieved some good results which should translate well onto fabric.

machine strips and Chapter 4 Drawings from animal markings

Can't believe it's been so long since I last posted anything here. Things have been pretty busy and so the course work had to be put on hold. But I am back and hopefully able to stick at it more regularly from now on.
I started by making 3 stitched strips to get me back into the swing of things

1) Zebra markings on a single piece of fabric using varying length of zigzag stitch and free motion stitching.

 

2) Snake skin strip, this was free machining without taking the needle off at all, I feels looks more like pebbles than snake skin, but it was good to practise again.

 

3) Butterfly wing strip using straight stich and varying length zig zag stitch

 

 

 

Chapter 4 Drawings from animal markings

 

1) Butterfly wing with close up details. I will do the pencil ones again as they don't show up very well once scanned, the edges are quite lace like. I love the fact some of the markings look like hearts. using a mix of pencil and ink has created the best sketch result  

2) Sea Urchin again the pencil markings are not showing up enough on these sample so I will go over then with pen and add the images

 

I thought I would have a quick warm up session before continuing, so looking at the drawings from the module I made some quick drawings, using a uniball pen instead of a pencil gives better definition once scanned

 

 

Feathers

Top  left hand is felt pen lines looking at the whole photo. Top right uses shaped paper cut outs to mask areas which were worked over with charcoal. Bottom left is one of the cut outs. This method could be used for other markings too.

 Goldfish



 

 

There are lots of areas of this drawing that could be looked at for shapes and patterns.

 

Butterfly reworked





 

Sea urchin reworked in felt pen



 



close up of the Sea Urchin

Snakeskin